Miss Anne in Harlem : the white women of the black Renaissance
Kaplan, Carla
Miss Anne in Harlem : the white women of the black Renaissance / Carla Kaplan - New York : HarperCollins Publishers , 2013 - 505 p. : illus. ; 24 cm.
Includes bibliographical references and index
"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
Women, white----New York (State)----New York----Biography
Harlem Renaissance----History
African Americans----Intellectual life
African Americans----20th century
Harlem (New York)----20th century----Intellectual life
700.9239 KAP
Miss Anne in Harlem : the white women of the black Renaissance / Carla Kaplan - New York : HarperCollins Publishers , 2013 - 505 p. : illus. ; 24 cm.
Includes bibliographical references and index
"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
Women, white----New York (State)----New York----Biography
Harlem Renaissance----History
African Americans----Intellectual life
African Americans----20th century
Harlem (New York)----20th century----Intellectual life
700.9239 KAP