Chronicles v.1 (Record no. 232939)
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| 000 -Encabezamiento | |
|---|---|
| fixed length control field | 02262n a2200169 a 4500 |
| 001 - Número de Control | |
| control field | 014777 |
| 005 - Fecha de Ultima Modificación | |
| control field | 20231009192219.0 |
| 008 - Elementos de Fongitud Fija--Información General | |
| fixed length control field | 130502t2004------------------000-u-eng-u |
| 082 0# - Número de Clasificación Decimal Dewey | |
| No. de Clasificación | 92 DYL |
| 100 1# - Entrada Principal - Nombre Personal | |
| Nombre Personal | Dylan, Bob |
| Fechas asociadas con el nombre | , 1941- |
| 245 10 - TÍTULO | |
| Título del material | Chronicles v.1 |
| Mención de responsabilidad | / Bob Dylan ; |
| 260 ## - Publicación, Distribución, etc. (Pie de Imprenta) | |
| Lugar de Publicación, Distribución, etc. | New York |
| Nombre de la editorial, distribuidor, etc. | : Simon & Schuster |
| Fecha de Publicación, Distribución, etc. | , c2004. |
| 520 ## - Resumen, etc. | |
| Nota de resumen, etc. | After a career of principled coyness, Dylan takes pains to outline the growth of his artistic conscience in this superb memoir. Writing in a language of cosmic hokum and street-smart phrasing, he lingers not on moments of success and celebrity, but on the crises of his intellectual development. He reconstructs, for example, an early moment in New York when he realized "that I would have to start believing in possibilities that I wouldn't have allowed before, that I had been closing my creativity down to a very narrow, controllable scale...that things had become too familiar and I might have to disorient myself." And he recounts how, in that search for larger reach, he actually went to the public library's microfilm archives to learn the rhetoric of Civil War newspapers. Skipping the years of his greatest records, or perhaps saving those years for the second volume of his chronicle, Dylan recalls the times when he was sick of his public persona and made more lackluster albums like "Self-Portrait" and "New Morning." He then skips again to his comeback work with producer Daniel Lanois in the late 1980s. Dylan emphasizes that he was "indifferent to wealth and love," and readers looking for private revelations will be disappointed. But others will prize the display of musical integrity and seriousness that is evident in his minutia-filled accounts of his influences in folk and blues. Ultimately, this book will stand as a record of a young man's self-education, as contagious in its frank excitement as the letters of John Keats and as sincere in its ramble as Jack Kerouac's On the Road, to which Dylan frequently refers. A person of Dylan's stature could have gotten away with far less; that he has been so thoughtful in the creation of this book is a measure of his talents, and a gift to his fans. |
| 600 14 - Entradas Secundarias - Nombre personal | |
| Nombre Personal | Dylan, Bob |
| Fechas asociadas con el nombre | , 1941- |
| 650 #4 - Entradas Secundarias - Términos temáticos | |
| Tópico o nombre Geográfico | Singers |
| Subdivisión Geográfica | -United States |
| Subdivisión general | -Biography |
| 942 ## - TIPO DE MATERIAL | |
| Tipo de Material | Libro - Monografía |
| Material oculto del Opac | Material perdido | Material dañado | Material No para préstamo | Sede donde se ingresó el material | Sede a donde pertenece el ejemplar/Copia | Fecha de Adquisición o compra | Préstamos Koha (veces que fue prestado) | Clasificación | Número de inventario (Código de barras) | Última vez visto (Koha) | Fecha del último préstamo (Koha) | Fecha del precio de reemplazo | Tipo de Material |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Biblioteca Pública de San Miguel de Allende, A.C. | Biblioteca Pública de San Miguel de Allende, A.C. | 09/10/2023 | 1 | 92 DYL | 014777 | 09/09/2024 | 20/08/2024 | 09/10/2023 | Libro - Monografía |
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