MARC details
| 000 -LEADER |
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| fixed length control field |
02028nam a2200289 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
1143293 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
BSMA |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240116122354.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240116s1995 dcua b 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781887178013 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
DLC |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
759.13 PHI |
| Edition number |
20 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Turner, Elizabeth Hutton |
| 110 2# - MAIN ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Phillips Collection |
| 245 10 - TITLE STATEMENT |
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| Title |
In the American grain : |
| Remainder of title |
Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : the Stieglitz Circle at the Phillips Collection / |
| Statement of responsibility, etc. |
Elizabeth Hutton Turner |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Washington, D.C. : |
| Name of publisher, distributor, etc. |
Counterpoint ; |
| Place of publication, distribution, etc. |
Emeryville, CA : |
| Name of publisher, distributor, etc. |
Distributed by Publishers Group West, |
| Date of publication, distribution, etc. |
c1995 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
192 p. : |
| Other physical details |
illus. ; |
| Dimensions |
31 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
In association with the Phillips Collection. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
During the 1920s and 1930s, Alfred Stieglitz's stylish New York galleries were a mecca to artistic innovators and avant garde thinkers, those struggling to cast off the burden of American puritanical thought and the fixed idea among the intellectual elite that important art, art that was real and would last, was being made only in Europe. At the same time Duncan Phillips, a determined art collector and heir to a steel fortune, opened two rooms of his Washington, D.C., home to begin a museum of modern art. Although he collected some of the world's masterpieces, especially French Impressionism, he kept a diligent eye on the work being done in his own country. That Stieglitz and Phillips would meet was destiny. Their long friendship, sometimes an uneasy alliance, brought forth a reevaluation of art in American culture. Their combined vision and resources invigorated a movement and prepared the way for public acceptance of American modernism. |
| 546 ## - LANGUAGE NOTE |
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| Language note |
English |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Stieglitz, Alfred, |
| Dates associated with a name |
1864-1946 |
| General subdivision |
Art patronage |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Stieglitz Circle (Group of artists) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Painting, American |
| Chronological subdivision |
20th century |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Painting |
| Geographic subdivision |
Washington (D.C.) |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Libro - Monografía |
info@labibliotecapublica.org | 