MARC details
000 -LEADER |
fixed length control field |
01634nam a2200277 a 4500 |
001 - CONTROL NUMBER |
control field |
043111 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
BSMA |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240827142321.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
240827s2009 paua b 001 u eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780812241884 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
DLC |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
700.97 SMI |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Cándida Smith, Richard |
245 14 - TITLE STATEMENT |
Title |
The modern moves west : |
Remainder of title |
California artists and democratic culture in the twentieth century / |
Statement of responsibility, etc. |
Richard Cándida Smith |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Philadelphia : |
Name of publisher, distributor, etc. |
University of Pennsylvania Press, |
Date of publication, distribution, etc. |
c2009 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
252 p. : |
Other physical details |
illus. ; |
Dimensions |
24 cm |
490 1# - SERIES STATEMENT |
Series statement |
The arts and intellectual life in modern America |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: dilemmas of professional culture -- The case for modern art as a distinct form of knowledge -- Modern art in a provincial nation -- Modern art and California's progressive legacies -- From an era of grand ambitions -- Becoming postmodern -- California assemblage: art as counterhistory -- Learning from the Watts Towers -- Contemporary art along the U.S.-Mexican border -- Conclusion: improvising from the margins. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
In The Modern Moves West, accomplished cultural historian Richard Candida Smith contends that the Watts Towers provided a model to succeeding California artists that was no longer defined through a subordinate relationship to the artistic capitals of New York and Paris. |
546 ## - LANGUAGE NOTE |
Language note |
English |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, American |
Geographic subdivision |
California |
Chronological subdivision |
20th century |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art and society |
Geographic subdivision |
California |
General subdivision |
History |
Chronological subdivision |
20th century |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Arts and intellectual life in modern America |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Libro - Monografía |