MARC details
000 -Encabezamiento |
fixed length control field |
02222nam a2200277 a 4500 |
001 - Número de Control |
control field |
048006 |
005 - Fecha de Ultima Modificación |
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20231009192933.0 |
008 - Elementos de Fongitud Fija--Información General |
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221011s19761976nyca 000 u eng d |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
015825852 |
Source |
Uk |
020 ## - ISBN |
ISBN |
9780500276235 |
050 00 - Número de Clasificación de la Biblioteca del Congreso de (USA-LC) |
No. de Clasificación |
DS778.T39 |
No. del ítem |
V64 2011 |
082 1# - Número de Clasificación Decimal Dewey |
No. de Clasificación |
REF 709.436 TRE |
No. de la Edición |
|
100 1# - Entrada Principal - Nombre Personal |
Nombre Personal |
Trevor-Roper, Hugh |
240 10 - Título Uniforme |
Título Uniforme |
<a href="Toller Cranston Collection">Toller Cranston Collection</a> |
245 10 - TÍTULO |
Título del material |
Princes and artists : |
Resto del Título |
patronage and ideology at four Habsburg courts, 1517-1633 |
Mención de responsabilidad |
/ H. R. Trevor-Roper |
260 ## - Publicación, Distribución, etc. (Pie de Imprenta) |
Lugar de Publicación, Distribución, etc. |
New York |
Nombre de la editorial, distribuidor, etc. |
: Thames & Hudson |
Fecha de Publicación, Distribución, etc. |
, 1976 |
300 ## - Descripción Física |
Extensión |
159 p. |
Otros detalles físicos |
: illus. |
Dimensiones |
; 23 cm. |
504 ## - Nota de Bibliografía, etc. |
Nota de Bibliografía, etc. |
Includes bibliographical references and index |
520 ## - Resumen, etc. |
Nota de resumen, etc. |
The relationship between artists and their patrons has always been a complex and fascinating one. In the case of the Habsburg rules of the sixteenth and seventh centuries, this is especially true, not only because those rulers are themselves of intrinsic interest, but because the artists whom they encouraged or employed - Durer, Titian, El Grego, Rubens - were among the greatest of all times. In Princes and Artists Professor Trevor-Roper explores the relationship between art and patronage through the careers of the Emperor Charles V (1500-58), his son Philip II of Spain (1527-98), the Emperor Rudolf II (1552-1612) and 'the arch-dukes"--Albert and Isabella - who ruled the southern Netherlands from 1598 to 1633. In the context of their personal lives, their several courts, their political activities, and the ideological conflicts of the era, art played an immensely important role - partly as propaganda, partly for the sheer aesthetic pleasure it gave. The author argues that the distinctive characteristics of patronage in this period, which spanned the transition from the High Renaissance to the Baroque in art, from the Reformation to the Counter-Reformation in ideology, are to be explained by the 'world picture' of the age: "Art symbolised a whole view of life, of which politics were a part, and which the court had a duty to advertise and sustain |
546 ## - Nota de Idioma |
Nota de idioma |
English |
610 14 - Entradas Secundarias - Nombre Corporativos |
Nombre corporativo o de jurisdicción como entrada |
Habsburg, House of Art patronage |
650 #4 - Entradas Secundarias - Términos temáticos |
Tópico o nombre Geográfico |
Artists |
Subdivisión general |
-Biography |
Subdivisión Geográfica |
-Austria |
650 #4 - Entradas Secundarias - Términos temáticos |
Tópico o nombre Geográfico |
Art patronage |
Subdivisión de forma |
- |
942 ## - TIPO DE MATERIAL |
Tipo de Material |
Libro - Monografía |