MARC details
| 000 -Encabezamiento |
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| fixed length control field |
02437nam a2200265 a 4500 |
| 001 - Número de Control |
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| control field |
050669 |
| 005 - Fecha de Ultima Modificación |
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| control field |
20231009192956.0 |
| 008 - Elementos de Fongitud Fija--Información General |
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| fixed length control field |
221027s20162016usaa 000 u eng d |
| 020 ## - ISBN |
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| ISBN |
9788857231303 |
| 082 0# - Número de Clasificación Decimal Dewey |
|---|
| No. de Clasificación |
730.92 REV |
| No. de la Edición |
|
| 245 10 - TÍTULO |
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| Título del material |
Revolution in the making |
| Resto del Título |
: abstract sculpture by women , 1947-2016 |
| Mención de responsabilidad |
/ contributors Emily Rothrum, et. al. |
| 260 ## - Publicación, Distribución, etc. (Pie de Imprenta) |
|---|
| Lugar de Publicación, Distribución, etc. |
Los Angeles, CA |
| Nombre de la editorial, distribuidor, etc. |
: Hauser Wirth & Schimmel |
| Fecha de Publicación, Distribución, etc. |
, 2016 |
| 300 ## - Descripción Física |
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| Extensión |
256 p. |
| Otros detalles físicos |
: illus. |
| Dimensiones |
; 33 cm. |
| 500 ## - Nota General |
|---|
| Nota General |
Artists represented: Magdalena Abakanowicz, Ruth Asawa, Phyllida Barlow, Lynda Benglis, Karla Black, Lee Bontecou, Louise Bourgeois, Heidi Bucher, Abigail Deville, Claire Falkenstein, Gego, Isa Genzken, Sonia Gomes, Françoise Grossen, Eva Hesse, Sheila Hicks, Cristina Iglesias, Rachel Khedoori, Yayoi Kusama, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Louise Nevelson, Lygia Pape, Mira Schendel, Lara Schnitger, Shinique Smith, Jessica Stockholder, Michelle Stuart, Kaari Upson, Ursula Von Rydingsvard, Hannah Wilke, Jackie Winsor |
| 520 ## - Resumen, etc. |
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| Nota de resumen, etc. |
The catalogue accompanies the most comprehensive exhibition of postwar abstract sculpture by women artists. Revolution in the Making traces the ways in which women artists deftly transformed the language of sculpture. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork. Divided into four sections, the book will feature approximately thirty artists and nearly 100 works in total: the postwar era (the late 1950s) including such historically important predecessors as Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein, and Louise Nevelson; the 1960s and 1970s, highlighting a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods; the 1980s and 1990s, the period that moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design; and post-2000 works by artists who created installation-based environments, embracing domestic materials and craft as an embedded discourse. |
| 546 ## - Nota de Idioma |
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| Nota de idioma |
English |
| 650 14 - Entradas Secundarias - Términos temáticos |
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| Tópico o nombre Geográfico |
Sculpture |
| 650 14 - Entradas Secundarias - Términos temáticos |
|---|
| Tópico o nombre Geográfico |
Sculpture |
| Subdivisión de forma |
--Exhibition |
| 650 14 - Entradas Secundarias - Términos temáticos |
|---|
| Tópico o nombre Geográfico |
Art, Modern |
| Subdivisión cronológica |
-20th century |
| 650 14 - Entradas Secundarias - Términos temáticos |
|---|
| Tópico o nombre Geográfico |
Women sculptors |
| Subdivisión general |
-Modern |
| 700 1# - Entradas Secundarias - Nombre Personal |
|---|
| Nombre Personal |
Rothrum, Emily |
| 942 ## - TIPO DE MATERIAL |
|---|
| Tipo de Material |
Libro - Monografía |
| 942 ## - TIPO DE MATERIAL |
|---|
| Tipo de Material |
Libro - Monografía |
info@labibliotecapublica.org | 