MARC details
| 000 -Encabezamiento |
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| fixed length control field |
01998nam a2200253 a 4500 |
| 001 - Número de Control |
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| control field |
023464 |
| 005 - Fecha de Ultima Modificación |
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| control field |
20231009193212.0 |
| 008 - Elementos de Fongitud Fija--Información General |
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| fixed length control field |
220308s20072007nyca 000 u eng d |
| 020 ## - ISBN |
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| ISBN |
9780789209771 |
| 050 00 - Número de Clasificación de la Biblioteca del Congreso de (USA-LC) |
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| No. de Clasificación |
Q162 |
| No. del ítem |
.A59 2007 |
| 082 1# - Número de Clasificación Decimal Dewey |
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| No. de Clasificación |
REF 759.40 COU |
| No. de la Edición |
|
| 100 1# - Entrada Principal - Nombre Personal |
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| Nombre Personal |
Le Men, Segolene |
| 240 10 - Título Uniforme |
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| Título Uniforme |
<a href="Toller Cranston Collection">Toller Cranston Collection</a> |
| 245 14 - TÍTULO |
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| Título del material |
Courbet |
| Mención de responsabilidad |
/ Segolene Le Men |
| 260 ## - Publicación, Distribución, etc. (Pie de Imprenta) |
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| Lugar de Publicación, Distribución, etc. |
New York |
| Nombre de la editorial, distribuidor, etc. |
: Abbeville Press Publishers |
| Fecha de Publicación, Distribución, etc. |
, 2007 |
| 300 ## - Descripción Física |
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| Extensión |
293 p. |
| Dimensiones |
; 24 cm. |
| 504 ## - Nota de Bibliografía, etc. |
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| Nota de Bibliografía, etc. |
Includes bibliographical references and index |
| 520 ## - Resumen, etc. |
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| Nota de resumen, etc. |
When Gustave Courbet (1819-1877) began his career in the late 1840s, French painting was dominated by two competing styles: neoclassicism, exemplified by Ingres,and romanticism, exemplified by Delacroix. Courbet, a dynamic and boundlessly self-confident man, proud of his rural origins and guided by his strong Republican beliefs,quickly established a third way. Rejecting the historical and literary subjects of the prevailing styles as too remote from actual experience, Courbet instead depicted scenes of everyday life, particularly among the peasants and the working class, with a naturalism then considered shocking. His paint handling was correspondingly direct: disdaining equally the idealized contours and cool tones of the neoclassicists and the expressive line of the romantics, he laid on his colors almost roughly, often with a palette knife instead of a brush. While Courbet's brand of realism bears a family resemblance to those of his contemporaries Daumier and Millet, its scope is much broader: his masterworks range from the Burial at Ornans (1850), a heroically scaled depiction of a villager's funeral, to the very different Origin of the World (1866), a detailed close-up of the female anatomy, and he also painted many straight landscapes, portraits, and stilllifes. |
| 546 ## - Nota de Idioma |
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| Nota de idioma |
English |
| 600 14 - Entradas Secundarias - Nombre personal |
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| Nombre Personal |
Courbet, Gustave, 1819-1879 |
| 650 #4 - Entradas Secundarias - Términos temáticos |
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| Tópico o nombre Geográfico |
Painting, French |
| Subdivisión cronológica |
-19th century |
| 942 ## - TIPO DE MATERIAL |
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| Tipo de Material |
Libro - Monografía |
info@labibliotecapublica.org | 