MARC details
000 -Encabezamiento |
fixed length control field |
02209nam a2200277 a 4500 |
001 - Número de Control |
control field |
006379 |
005 - Fecha de Ultima Modificación |
control field |
20231009193416.0 |
008 - Elementos de Fongitud Fija--Información General |
fixed length control field |
120807s2012 nyu b 001 0deng |
010 ## - Número de Control de Biblioteca del Congreso USA |
Número de la Bibliografía nacional |
2011025101 |
020 ## - ISBN |
ISBN |
9780316086875 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - Número de Clasificación de la Biblioteca del Congreso de (USA-LC) |
No. de Clasificación |
QH510.5 |
No. del ítem |
.K725 2012 |
082 00 - Número de Clasificación Decimal Dewey |
No. de Clasificación |
780 KRA |
100 1# - Entrada Principal - Nombre Personal |
Nombre Personal |
Krause, Bernie |
245 14 - TÍTULO |
Título del material |
The great animal orchestra |
Resto del Título |
: finding the origins of music in the world's wild places |
Mención de responsabilidad |
/ Bernie Krause |
250 ## - Mención de Edición |
Mención de Edición |
1st ed. |
260 ## - Publicación, Distribución, etc. (Pie de Imprenta) |
Lugar de Publicación, Distribución, etc. |
New York |
Nombre de la editorial, distribuidor, etc. |
: Little, Brown |
Fecha de Publicación, Distribución, etc. |
, 2012. |
300 ## - Descripción Física |
Extensión |
278 p. |
Dimensiones |
; 25 cm. |
504 ## - Nota de Bibliografía, etc. |
Nota de Bibliografía, etc. |
Includes bibliographical references (p. 257-265) and index. |
505 0# - Nota de Contenido |
Nota de contenido formateada |
Sound as my mentor -- Voices from the land -- The organized sound of life itself -- Biophony : the proto-orchestra -- First notes -- Different croaks for different folks -- The fog of noise -- Noise and biophony/oil and water -- Coda of hope. |
520 ## - Resumen, etc. |
Nota de resumen, etc. |
Musician and naturalist Krause, whose interest in the relationships of sounds to music led to a Ph.D. in electronic music, has long been recording the sounds of ecosystems, or soundscapes. Drawing on ethnomusicology research, Krause tells a compelling story of how cultures reflect their environment in their music, from the nomadic Ba'Aka, who live in forest regions of the Central African Republic, to composers Bela Bartok and Olivier Messiaen. Using sophisticated recording equipment, ecologists create sound profiles that enable better pictures of biodiversity, changes in the landscape, and the complex interactions of organisms. Using sonograms to illustrate his argument, Krause describes how the effects of manufactured sounds, particularly from engines, on individual participants of the soundscape can lead to disaster, e.g., stranded whales. He compellingly presents the extent of the damage that ever--present mechanical noise has on a broad array of organisms. Drawing together ecology, human-created environmental change, and the beauty of nature and music, Krause presents a perspective of our world that will bring readers a new awareness of their environment. |
600 10 - Entradas Secundarias - Nombre personal |
Nombre Personal |
Krause, Bernie |
650 #0 - Entradas Secundarias - Términos temáticos |
Tópico o nombre Geográfico |
Nature sounds |
650 #4 - Entradas Secundarias - Términos temáticos |
Tópico o nombre Geográfico |
Music |
Subdivisión general |
-History and criticism |
942 ## - TIPO DE MATERIAL |
Tipo de Material |
Libro - Monografía |