The Mexico City reader / edited by Rubén Gallo ; translated by Lorna Scott Fox and Rubén Gallo

Contributor(s): Material type: TextTextSeries: Publication details: Madison, Wis. : University of Wisconsin Press , c2004.Description: xvii, 346 p. : ill. ; 24 cmISBN:
  • 9780299197148
Subject(s): DDC classification:
  • LAS 917.253 MEX
LOC classification:
  • F1386 .M654 2004
Summary: Gallo (Latin American literature, Princeton U.) and contributors "theorizes" this five- century-old city in the process of modernization, describing places and elements old and new, the Metro, monuments, eating and drinking, urban renewal and its disasters, the earthquake, maids, corruption and bureaucracy, and the city at its margins--namely its garbage dumps and its morgue. In their street talk, street style, and street wisdom, it appears the people of Mexico City are getting by with the help of several million friends and strangers, making at least some of the contributors aware of their distance as observers; others dive in, affirming their roles as artists and participants first, then as theorists about a city that by its very nature may remain perpetually in transition.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. LAS 917.253 MEX (Browse shelf(Opens below)) Available 000759

Includes bibliographical references (p. 327-329) and indexes.

Gallo (Latin American literature, Princeton U.) and contributors "theorizes" this five- century-old city in the process of modernization, describing places and elements old and new, the Metro, monuments, eating and drinking, urban renewal and its disasters, the earthquake, maids, corruption and bureaucracy, and the city at its margins--namely its garbage dumps and its morgue. In their street talk, street style, and street wisdom, it appears the people of Mexico City are getting by with the help of several million friends and strangers, making at least some of the contributors aware of their distance as observers; others dive in, affirming their roles as artists and participants first, then as theorists about a city that by its very nature may remain perpetually in transition.

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