Carpaccio / Francesco Valcanover

By: Contributor(s): Material type: TextTextPublication details: Firenze : Scala , 2003, c1989Description: 79 p. : illus. ; 28 cmISBN:
  • 9788881172191
Uniform titles:
  • Toller Cranston Collection
Subject(s): DDC classification:
  • REF 759.5 CAR 
Summary: Vittore Carpaccio was probably born around 1465, in Venice, and started training as a painter in the 1480s. Venice at this time had a lively and artistic climate, open to the influences of Flemish painting and Northern European prints and etchings, as well as International Gothic and the new Renaissance style, which the young Carpaccio picked up on during his formative years as an artist. Carpaccio examines Carpaccio's paintings, reproduced in full colour, in the cultural context of Venice in the 15th and 16th century. The San Giorgio degli Schiavoni cycle in studied in depth, with paintings shown in detail.
List(s) this item appears in: Toller Cranston
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Consulta / Referencia REF 759.5 CAR (Browse shelf(Opens below)) Available 004245
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Collection: Consulta / Referencia Close shelf browser (Hides shelf browser)
REF 759.5 BER The World of Bernini, 1598-1680 REF 759.5 BOT Bottecelli REF 759.5 CAN Canaletto REF 759.5 CAR Carpaccio REF 759.5 CAR Carpaccio REF 759.5 CAR Aldo Carpi REF 759.5 CHE Tiziano y la monarquia hispanica : usos y funciones de la pintura veneciana en España (siglos XVI y XVII)

Vittore Carpaccio was probably born around 1465, in Venice, and started training as a painter in the 1480s. Venice at this time had a lively and artistic climate, open to the influences of Flemish painting and Northern European prints and etchings, as well as International Gothic and the new Renaissance style, which the young Carpaccio picked up on during his formative years as an artist. Carpaccio examines Carpaccio's paintings, reproduced in full colour, in the cultural context of Venice in the 15th and 16th century. The San Giorgio degli Schiavoni cycle in studied in depth, with paintings shown in detail.

Translated from Italian to English

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