Bringing Aztlán to Mexican Chicago : my life, my work, my art / José Gamaliel González ; edited and with an introduction by Marc Zimmerman
Material type: TextSeries: Publication details: Urbana : University of Illinois Press , c2010.Description: xxvii, 166 p. : ill. ; 29 cmISBN:- 9780252077357
- 709.2 GON
- N6537.G626 A2 2010
Item type | Current library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|
Libro - Monografía | Biblioteca Pública de San Miguel de Allende, A.C. | 709.2 GON (Browse shelf(Opens below)) | Available | 004256 |
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709.2 ENC Retablo de la pintura moderna de Goya a Manet | 709.2 GIA Diego Giacometti | 709.2 GIA Alberto Giacometti | 709.2 GON Bringing Aztlán to Mexican Chicago : my life, my work, my art | 709.2 HAR Women artists : 1550-1950 | 709.2 HOC David Hockney : a retrospective | 709.2 HOC Pictures |
Includes bibliographical references (p. [153]-154) and index.
The early years (1933-55) -- From high school to Notre Dame (1955-71) -- The MARCH years (1971-79) -- Raíces, MIRA, and the MFAC (1979-92) -- Art, work, and health (1990-2007).
This is the autobiography of Jose Gamaliel Gonzalez, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, Gonzalez looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, Gonzalez studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artistico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays Gonzalez's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
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