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Christian Bérard / Boris Kochno ; introduction by John Russell ; with contributions by Jean Clair, Edmonde Charles-Roux

By:

Kochno, Boris

Contributor(s):

Material type: Text

TextPublication details: London : Thames and Hudson, c1988Description: 255 p. : illus. ; 33 cmISBN:

0500091913

Subject(s):

DDC classification:

709.24 BER

Summary: Christian Berard (1902-1949) died at the theater while giving stage directions. With frantic energy this Parisian designer invented sets and costumes for plays, movies and ballets by Cocteau, Genet, Giradoux and others. His fashion illustrations graced Vogue , and he dabbled in interior decoration, poster art and book illustration. The charm and luxuriant wit of Berard's creations are on display in this scrapbook of reminiscences, essays and photographs assembled by his long-time friend Kochno. Yet his claim to be taken seriously as a painter is the book's focushe led the so-called neo-humanist group in its revolt against cubism. In his most famous picture, Double Portrait on the Beach , he painted himself as a surly, shapeless, middle-aged woman on an infinite stretch of sand. His series of portraits of sadly staring boys exudes raw power. Berard emerges as an unclassifiable painter, like his friend Balthus, if not nearly as original.

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Holdings
Item type	Current library	Call number	Status	Notes	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles	709.24 BER (Browse shelf(Opens below))	Available	Non fiction		006079

Includes bibliographical references (p. 252-253).

Christian Berard (1902-1949) died at the theater while giving stage directions. With frantic energy this Parisian designer invented sets and costumes for plays, movies and ballets by Cocteau, Genet, Giradoux and others. His fashion illustrations graced Vogue , and he dabbled in interior decoration, poster art and book illustration. The charm and luxuriant wit of Berard's creations are on display in this scrapbook of reminiscences, essays and photographs assembled by his long-time friend Kochno. Yet his claim to be taken seriously as a painter is the book's focushe led the so-called neo-humanist group in its revolt against cubism. In his most famous picture, Double Portrait on the Beach , he painted himself as a surly, shapeless, middle-aged woman on an infinite stretch of sand. His series of portraits of sadly staring boys exudes raw power. Berard emerges as an unclassifiable painter, like his friend Balthus, if not nearly as original.

English

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