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The fields of David Smith / Candida N. Smith

By:

Smith, Candida N

Material type: Text

TextPublication details: New York : Storm King Art Center ; Thames & Hudson , 1999Description: 143 p. : illus. ; 32 cmISBN:

9780500019085

Subject(s):

DDC classification:

730.92 SMI

Summary: David Smith, the innovative and masterly twentieth-century sculptor, strove to create works of art that could be viewed "without reverence or awe" because they were, in his words, "natural ... statements of peaceful pursuit." Intrinsic to this hope was a conviction that his monumental sculpture belonged in the elements, with sky and earth as its visible reference points. The aim of both book and exhibition has been to recapture the experience of viewing Smith's work during his lifetime, when it was deployed with care and exuberance in ever-changing arrangements in his fields at Bolton Landing in the Adirondacks.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles	730.92 SMI (Browse shelf(Opens below))	Available		010736

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Previous	730.92 CON Clyde Connell : the art and life of a Louisiana woman	730.92 FEL Bella	730.92 REV Revolution in the making : abstract sculpture by women , 1947-2016	730.92 SMI The fields of David Smith	730.92 WAR Alexander Calder and contemporary art : form, balance, joy	730.924 GRA The Sculpture of Nancy Graves : a catalogue raisonné with essays /	730.924 HEB Milton Hebald	Next

The Fields of David Smith is published to coincide with a three-year exhibition in the expansive landscape of the Storm King Art Center in Mountainville, New York.

David Smith, the innovative and masterly twentieth-century sculptor, strove to create works of art that could be viewed "without reverence or awe" because they were, in his words, "natural ... statements of peaceful pursuit." Intrinsic to this hope was a conviction that his monumental sculpture belonged in the elements, with sky and earth as its visible reference points. The aim of both book and exhibition has been to recapture the experience of viewing Smith's work during his lifetime, when it was deployed with care and exuberance in ever-changing arrangements in his fields at Bolton Landing in the Adirondacks.

English

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