No one will see me cry : a novel / by Cristina Rivera-Garza ; translated from the Spanish by Andrew Hurley

By: Contributor(s): Material type: TextTextPublication details: Willimantic, CT : Curbstone Press , c2003Description: 229 p. ; 22 cmISBN:
  • 9781880684917
Subject(s): Genre/Form: DDC classification:
  • LAS FIC RIV 
LOC classification:
  • PQ7298.28.I8982 N3313 2003
Awards:
  • 2002 Sor Juana Inés de la Cruz Prize winner.
Summary: Joaquin Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. He discovers that she was a peasant adopted by a doctor uncle. She led a calm life until a young revolutionary chased by the authorities, finds shelter in her home. Matilde's eyes are opened to the social upheaval will lead her to break with her uncle and hide out with Diamantina Vicari. Diamantina's death devastates Matilde so much that she wanders about, completely lost, doing all kinds of jobs, including prostitution. As the photographer discovers more details, he becomes convinced that he and Matilde should live together. Ultimately, as they face defeat in a repressive society, they search to establish in the rubble an uncertain future that will somehow restore their freedom.
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Holdings
Item type Current library Call number Status Date due Barcode
Latin American Studies Biblioteca Pública de San Miguel de Allende, A.C. LAS FIC RIV (Browse shelf(Opens below)) Available 010972

Joaquin Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. He discovers that she was a peasant adopted by a doctor uncle. She led a calm life until a young revolutionary chased by the authorities, finds shelter in her home. Matilde's eyes are opened to the social upheaval will lead her to break with her uncle and hide out with Diamantina Vicari. Diamantina's death devastates Matilde so much that she wanders about, completely lost, doing all kinds of jobs, including prostitution. As the photographer discovers more details, he becomes convinced that he and Matilde should live together. Ultimately, as they face defeat in a repressive society, they search to establish in the rubble an uncertain future that will somehow restore their freedom.

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2002 Sor Juana Inés de la Cruz Prize winner.

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