The assault / Reinaldo Arenas ; translated by Andrew Hurley

By: Contributor(s): Material type: TextTextPublication details: New York : Penguin Books , 2001, c1994.Description: xi, 145 p. ; 21 cmISBN:
  • 9780140157185
Uniform titles:
  • Asalto . English
Genre/Form: DDC classification:
  • LAS FIC ARE
LOC classification:
  • PQ7390.A72 A813 1994
Summary: Set after the ``last big war'' in a society of ``degenerate beasts''--where human beings have snouts and claws and the criminals sport polished shaved heads--this is the final novel in the late Cuban-born Arenas's ``Pentagonia'' quintet ( Singing from the Well ; The Palace of the White Skunks , etc. ), a fictional exploration of Castro-era Cuba. Narrated by an agent for the ``Bureau of Counterwhispering,'' the novel details the agent's mission to find and execute whisperers against the ``Glorious Nation'' and its ``Represident.'' It's a country where ``no one has a name, and all orientations help to make sure that one stranger is exactly like every other stranger, so that no one can remember anybody in particular, and therefore no one can be remembered.'' His motivation, however, is more personal than political: a desire to find and kill his mother because he is ``coming to look more like her every day''--and herein lies the key to Arenas's parable.
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Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. LAS FIC ARE (Browse shelf(Opens below)) Available 012227

Set after the ``last big war'' in a society of ``degenerate beasts''--where human beings have snouts and claws and the criminals sport polished shaved heads--this is the final novel in the late Cuban-born Arenas's ``Pentagonia'' quintet ( Singing from the Well ; The Palace of the White Skunks , etc. ), a fictional exploration of Castro-era Cuba. Narrated by an agent for the ``Bureau of Counterwhispering,'' the novel details the agent's mission to find and execute whisperers against the ``Glorious Nation'' and its ``Represident.'' It's a country where ``no one has a name, and all orientations help to make sure that one stranger is exactly like every other stranger, so that no one can remember anybody in particular, and therefore no one can be remembered.'' His motivation, however, is more personal than political: a desire to find and kill his mother because he is ``coming to look more like her every day''--and herein lies the key to Arenas's parable.

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