The scroll of seduction : a novel / Gioconda Belli ; translated from the Spanish by Lisa Dillman

By: Contributor(s): Material type: TextTextPublication details: New York, NY : HarperCollins , c2006.Edition: 1st Harper pbkDescription: x, 325 p. ; 24 cmISBN:
  • 9780060833138
Uniform titles:
  • Pergamino de la seducción . English
Subject(s): LOC classification:
  • PQ7519.2.B44 P4513 2006
Summary: How crazy was Juana La Loca, the Spanish queen who allegedly would not stop kissing her husband, Philippe the Handsome, even after he died? A Madrid professor enlists the help of a student and a silk dress to find out in the latest from Nicaraguan poet-memoirist-novelist Belli (The Country Under My Skin). While touring the Escorial, 17-year-old Lucia, a Latin American-born orphan attending a Madrid Catholic boarding school, meets Manuel, a 40-something professor who draws Lucia into his obsession with 16th-century Juana. Soon, Manuel dresses Lucia like Juana, and, as he seduces (and eventually impregnates) her, she channels Juana's spirit, allowing Belli to create in sensuous detail a turbulent, emotion-driven version of events that is at odds with historians' accounts of Juana's schizophrenia. Juana, as Belli depicts her, was a passionate woman who fell victim to power-hungry relatives, and whose eccentric behavior may have been symptoms of bipolar disorder.
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Item type Current library Call number Status Date due Barcode
Latin American Studies Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles Available 015367

Translation of: Pergamino de la seducción.

How crazy was Juana La Loca, the Spanish queen who allegedly would not stop kissing her husband, Philippe the Handsome, even after he died? A Madrid professor enlists the help of a student and a silk dress to find out in the latest from Nicaraguan poet-memoirist-novelist Belli (The Country Under My Skin). While touring the Escorial, 17-year-old Lucia, a Latin American-born orphan attending a Madrid Catholic boarding school, meets Manuel, a 40-something professor who draws Lucia into his obsession with 16th-century Juana. Soon, Manuel dresses Lucia like Juana, and, as he seduces (and eventually impregnates) her, she channels Juana's spirit, allowing Belli to create in sensuous detail a turbulent, emotion-driven version of events that is at odds with historians' accounts of Juana's schizophrenia. Juana, as Belli depicts her, was a passionate woman who fell victim to power-hungry relatives, and whose eccentric behavior may have been symptoms of bipolar disorder.

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