Dix / Eva Karcher

By: Contributor(s): Material type: TextTextPublication details: Köln : Taschen , 2002Description: 216 p. : illus. ; 25 cmISBN:
  • 9783822819920
Uniform titles:
  • Toller Cranston Collection
Subject(s): DDC classification:
  • REF 759.3 DIX 
Summary: In the twenties, Otto Dix was the artist of Neue Sachlichkeit, the New Objectivity, par excellence. Painting in a very realistic, almost photographic style, he chose as subjects the poverty, violence, death, and war that he experienced as a soldier in World War I. After this terrible experience, he painted the famous triptych The War. Dix staged the world as a play, a grotesque farce. But the form he chose to do so was based on the classical canon of beauty. Dix lived his life and served art, for he adhered to the age-old rule that the American painter Ad Reinhardt put in a nutshell: Life is life, and art is art.
List(s) this item appears in: Toller Cranston
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Consulta / Referencia REF 759.3 DIX (Browse shelf(Opens below)) Available 017717
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Collection: Consulta / Referencia Close shelf browser (Hides shelf browser)
REF 759.2 TUR The World of Turner, 1775-1851 REF 759.24 GAI The world of Gainsborough, 1727-1788 REF 759.3 CRA The paintings of Lucas Cranach REF 759.3 DIX Dix REF 759.3 DUR Dürer REF 759.3 DUR The World of Durer, 1471-1528 REF 759.3 HOL Holbein

In the twenties, Otto Dix was the artist of Neue Sachlichkeit, the New Objectivity, par excellence. Painting in a very realistic, almost photographic style, he chose as subjects the poverty, violence, death, and war that he experienced as a soldier in World War I. After this terrible experience, he painted the famous triptych The War. Dix staged the world as a play, a grotesque farce. But the form he chose to do so was based on the classical canon of beauty. Dix lived his life and served art, for he adhered to the age-old rule that the American painter Ad Reinhardt put in a nutshell: Life is life, and art is art.

Translated from the German to Spanish

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