To photograph Is to learn how to die : an essay with digressions / Tim Carpenter

By: Material type: TextTextPublication details: Los Angeles : The Ice Plant , 2022Description: 231 p. ; 17cmISBN:
  • 9798985733006
Uniform titles:
  • Photography collection / colección de fotografía / Donation from TBW Books
Subject(s): DDC classification:
  • 779 CAR
Summary: A book-length essay about photography’s unique ability to ease the ache of human mortality Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter argues passionately - in one main essay and a series of lively digressions - that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various “voices” of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles Photography 779 CAR (Browse shelf(Opens below)) Available non-fiction 021811
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Shelving location: Sala Ingles, Collection: Photography Close shelf browser (Hides shelf browser)
779 ALV Revelaciones : the art of Manuel Álvarez Bravo 779 ARD Ardent : no.1 779 BLI Blind spot 779 CAR To photograph Is to learn how to die : an essay with digressions 779 COH True color 779 DOU Silencios 779 EAT Eat a chili :

A book-length essay about photography’s unique ability to ease the ache of human mortality Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter argues passionately - in one main essay and a series of lively digressions - that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various “voices” of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.

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