Dufy / Dora Perez-Tibi

By: Contributor(s): Material type: TextTextPublication details: New York : Harry N. Abrams, Inc., Publishers , 1989Description: 335 p. : illus. ; 33 cmISBN:
  • 0810911477
Subject(s): DDC classification:
  • REF 759.4 DUF 
Summary: The reputation of French artist Raoul Dufy (1877-1953) still suffers from the misapprehension that he was a charming but superficial painter of revels, circuses, boats and racetracks. This comprehensive, abundantly illustrated study refutes that notion, revealing Dufy as a major innovator in many mediums. His simplified style, using pure color and light, found spontaneous expression not only in fauvist seascapes, symphonic murals, nudes, travel sketches, graphics and stage sets. Some of his memorable images appear on fabric designs and silk shawls; he achieved painterly results in tapestries; his ceramics--vases, plant containers, tiles - create a vibrant neoclassical world awash in living forms. French critic Perez-Tibi gives us a multifaceted experimenter who made no distinction between the 'fine' and decorative arts, and who brought them closer together.
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Item type Current library Collection Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Consulta / Referencia REF 759.4 DUF (Browse shelf(Opens below)) Available 028791

Bibliography and index included

The reputation of French artist Raoul Dufy (1877-1953) still suffers from the misapprehension that he was a charming but superficial painter of revels, circuses, boats and racetracks. This comprehensive, abundantly illustrated study refutes that notion, revealing Dufy as a major innovator in many mediums. His simplified style, using pure color and light, found spontaneous expression not only in fauvist seascapes, symphonic murals, nudes, travel sketches, graphics and stage sets. Some of his memorable images appear on fabric designs and silk shawls; he achieved painterly results in tapestries; his ceramics--vases, plant containers, tiles - create a vibrant neoclassical world awash in living forms. French critic Perez-Tibi gives us a multifaceted experimenter who made no distinction between the 'fine' and decorative arts, and who brought them closer together.

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Translated from the French to English

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