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De Chirico : the metaphysical period, 1888-1919 / Paolo Baldacci

By:

Baldacci, Paolo

Material type: Text

TextPublication details: Boston : Little, Brown , 1997Description: 443 p. : illus. ; 34 cmISBN:

9780821224991

Uniform titles:

Toller Cranston Collection

Subject(s):

DDC classification:

REF 709.2 DEC

Summary: De Chirico: The Metaphysical Period is the most authoritative source on the formative years and period of greatest achievement in the career of Giorgio de Chirico, one of the masters of twentieth-century art. Beginning around 1909, Giorgio de Chirico projected in his paintings an irrational, dreamlike world of empty classical cityscapes populated by statues, shadows, and familiar objects isolated or mysteriously juxtaposed. This Metaphysical Painting, as he called it, was seized on by the Surrealists in the 1920s and has continued to haunt our imagination. Paolo Baldacci's monograph reveals the many biographical elements of de Chirico's mysterious work, devoting particular attention to his most critically acclaimed period,

List(s) this item appears in: Toller Cranston

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C.	Consulta / Referencia	REF 709.2 DEC (Browse shelf(Opens below))	Available		031916

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Previous	REF 709.1 PAL Cambios : the spirit of transformation in Spanish colonial art	REF 709.2 BEA The art of Romare Bearden	REF 709.20 BEC Max Beckmann : Exile in Amsterdam	REF 709.2 DEC De Chirico : the metaphysical period, 1888-1919	REF 709.2 EAK Thomas Eakins : his life and art	REF 709.2 HUN Hundertwasser	REF 709.2 MAT Henri Matisse : a retrospective	Next

De Chirico: The Metaphysical Period is the most authoritative source on the formative years and period of greatest achievement in the career of Giorgio de Chirico, one of the masters of twentieth-century art. Beginning around 1909, Giorgio de Chirico projected in his paintings an irrational, dreamlike world of empty classical cityscapes populated by statues, shadows, and familiar objects isolated or mysteriously juxtaposed. This Metaphysical Painting, as he called it, was seized on by the Surrealists in the 1920s and has continued to haunt our imagination. Paolo Baldacci's monograph reveals the many biographical elements of de Chirico's mysterious work, devoting particular attention to his most critically acclaimed period,

Translated from the Italian to English

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