Leonardo Da Vinci, Michelangelo, and the Renaissance in Florence / Edited by David Franklin
Material type: TextPublication details: Ottawa, ON : National Gallery of Canada , 2005Description: 371 p. : illus. ; 31 cmISBN:- 9780888848048
- Toller Cranston Collection
- REF 709.45 LEO
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Libro - Monografía | Biblioteca Pública de San Miguel de Allende, A.C. | Consulta / Referencia | REF 709.45 LEO (Browse shelf(Opens below)) | Available | 035521 |
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Collection: Consulta / Referencia Close shelf browser (Hides shelf browser)
REF 709.45 COX Dynasty and destiny in Medici art : Pontormo, Leo X, and the two Cosimos | REF 709.45 CRO Masterpieces of Italian art | REF 709.45 KEL The Renaissance in Italy: painting, sculpture, architecture | REF 709.45 LEO Leonardo Da Vinci, Michelangelo, and the Renaissance in Florence | REF 709.45 PLU The Horizon book of the Renaissance | REF 709.45 WIT Art and architecture in Italy : 1600 to 1750 | REF 709.45 ZUF Art in Venice |
Revealing magnificence and grandeur: Florentine drawing in the first half of the sixteenth century / David Franklin -- Ingenious and subtle spirits Florentine painting in the first half of the sixteenth century / Louis A. Waldman -- Equal to the ancients : Florentine sculpture in the first half of the sixteenth century / Andrew Butterfield.
The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the book explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520.
English
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