The portrait / Iain Pears

By: Publication details: New York : Riverhead Books , 2005.Description: 211 p. ; 20 cmISBN:
  • 9780007202775
Subject(s): Genre/Form: DDC classification:
  • FIC PEA
LOC classification:
  • PR6066.E167 P67 2005
Summary: A perfectly rendered short novel of suspense about a painter driven to extremes. An influential art critic in the early years of the twentieth century journeys from London to the rustic, remote island of Houat, off France's northwest coast, to sit for a portrait painted by an old friend, a gifted but tormented artist living in self-imposed exile. Over the course of the sitting, the painter recalls their years of friendship, the double-edged gift of the critic's patronage, the power he wielded over aspiring artists, and his apparent callousness in anointing the careers of some and devastating the lives of others. The balance of power between the two men shifts dramatically as the critic becomes a passive subject, while the painter struggles to capture the character of the man, as well as his image, on canvas. Reminiscing with ease and familiarity one minute, with anger and menace the next, the painter eventually reveals why he has accepted the commission of this portrait, why he left London suddenly and mysteriously at the height of his success, and why now, with dark determination, he feels ready to return.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Fiction / Ficción Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles General FIC PEA (Browse shelf(Opens below)) Available 037051

A perfectly rendered short novel of suspense about a painter driven to extremes. An influential art critic in the early years of the twentieth century journeys from London to the rustic, remote island of Houat, off France's northwest coast, to sit for a portrait painted by an old friend, a gifted but tormented artist living in self-imposed exile. Over the course of the sitting, the painter recalls their years of friendship, the double-edged gift of the critic's patronage, the power he wielded over aspiring artists, and his apparent callousness in anointing the careers of some and devastating the lives of others. The balance of power between the two men shifts dramatically as the critic becomes a passive subject, while the painter struggles to capture the character of the man, as well as his image, on canvas. Reminiscing with ease and familiarity one minute, with anger and menace the next, the painter eventually reveals why he has accepted the commission of this portrait, why he left London suddenly and mysteriously at the height of his success, and why now, with dark determination, he feels ready to return.

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