February / Lisa Moore

By: Material type: TextTextPublication details: New York : Black Cat , 2009.Description: 310 p. ; 22 cmISBN:
  • 9780887842023
DDC classification:
  • FIC MOO
LOC classification:
  • PR9199.3.M647 F43 2009
Summary: In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine's Day storm. All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns. It begins in the present-day, but spirals back again and again to the "February" that persists in Helen's mind and heart. In her external life, Helen O'Mara cleans and does yoga and looks after her grandchildren and shakes hands with solitude. In her internal life, she continually revisits Cal. Then, one night she gets a phone call: her son John is coming home. He has made a girl pregnant after a brief, sex-filled week in Iceland. As John grapples with what it might mean to be a father, Helen comes to terms with her need to remember the dead. Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile. A profound, gorgeous, heart-stopping work from one of our best writers.
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Item type Current library Collection Call number Status Date due Barcode
Fiction / Ficción Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles General FIC MOO (Browse shelf(Opens below)) Expurgado/No disponible 040559

In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine's Day storm. All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns. It begins in the present-day, but spirals back again and again to the "February" that persists in Helen's mind and heart. In her external life, Helen O'Mara cleans and does yoga and looks after her grandchildren and shakes hands with solitude. In her internal life, she continually revisits Cal. Then, one night she gets a phone call: her son John is coming home. He has made a girl pregnant after a brief, sex-filled week in Iceland. As John grapples with what it might mean to be a father, Helen comes to terms with her need to remember the dead. Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile. A profound, gorgeous, heart-stopping work from one of our best writers.

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