Henri Cartier-Bresson : a biography / Pierre Assouline

By: Material type: TextTextPublication details: New York : Thames & Hudson , 2005.Description: 280 p. : illus. ; 24 cmISBN:
  • 9780500512234
Subject(s): DDC classification:
  • 92 CAR 
LOC classification:
  • TR140.C295 A8413 2005
Abstract: The twentieth century was the century of the image and Henri Cartier-Bresson (1908-2004) was the eye of the century. Through the decades, this eye focused on Africa in the 1920s, the tragic fate of the Spanish Republicans, and the victory of the Chinese Communists. It was Cartier-Bresson who fixed in our minds the features of his contemporaries: Giacometti and Sartre as characters from their own works; Mauriac mysteriously levitating; Faulkner, Matisse, Camus, and countless others captured at the decisive moment in portraits for eternity. An intensely private individual, Cartier-Bresson confided in his close friend Pierre Assouline over a number of years, even opening up his archives to him. Here, for the first time, we read about his youthful devotion to surrealism; his unending passion for drawing; the war and the prison camps; the friends and the women in his life. Assouline provides an acute and perceptive account of the life and philosophy of this icon of our times, and gives us an opportunity to reassess his contribution to twentieth-century photography and reportage.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles 92 CAR (Browse shelf(Opens below)) Available 043701

Originally published as: Henri Cartier-Bresson : l'il du siècle. [Paris] : Plon, 1999.

Includes bibliographical references (p. 269-274) and index.

The twentieth century was the century of the image and Henri Cartier-Bresson (1908-2004) was the eye of the century. Through the decades, this eye focused on Africa in the 1920s, the tragic fate of the Spanish Republicans, and the victory of the Chinese Communists. It was Cartier-Bresson who fixed in our minds the features of his contemporaries: Giacometti and Sartre as characters from their own works; Mauriac mysteriously levitating; Faulkner, Matisse, Camus, and countless others captured at the decisive moment in portraits for eternity. An intensely private individual, Cartier-Bresson confided in his close friend Pierre Assouline over a number of years, even opening up his archives to him. Here, for the first time, we read about his youthful devotion to surrealism; his unending passion for drawing; the war and the prison camps; the friends and the women in his life. Assouline provides an acute and perceptive account of the life and philosophy of this icon of our times, and gives us an opportunity to reassess his contribution to twentieth-century photography and reportage.

Translated from the French to English.

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