Normal view MARC view ISBD view

Acts of worship : seven stories / Yukio Mishima; translated by John Bester

By:

Mishima, Yukio, 1925-1970

Contributor(s):

John Bester

Publication details: Tokyo : Kodansha Internnational , 1989Description: xii, 205 p. ; 22 cmISBN:

9780870119378

Subject(s):

Japan -- --Social life and customs -- --Fiction

Genre/Form:

Short stories

DDC classification:

FIC MIS

Contents:

Summary: This beautifully translated collection contains some Mishima's finest stories, none of them previously collected in an English edition. In the moving title story, the loyal, self-effacing housemaid of a solitary professor-poet ferrets out the secret of his lifelong sadness. Jack, in ``Raisin Bread,'' a pill-popping failed suicide at 22, his ``sole aim to become quite invisible,'' is a 1950s anti-hero who seems very contemporary. A proud youth in ``Fountains in the Rain,'' breaking up with his girlfriend, becomes captivated by a splashing fountain, which we see as a symbol of his own flamboyant egotism. ``Sword,'' a sweaty plunge into the world of college fencing, pits youth vs. age, animal pleasure vs. mental rigor, muscular prowess vs. meditative rapture.

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Fiction / Ficción	Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles	General	FIC MIS (Browse shelf(Opens below))	Available		044920

Fountains in the rain -- Raisin bread -- Sword -- Sea and sunset -- Cigarette -- Martyrdom -- Act of worship.

This beautifully translated collection contains some Mishima's finest stories, none of them previously collected in an English edition. In the moving title story, the loyal, self-effacing housemaid of a solitary professor-poet ferrets out the secret of his lifelong sadness. Jack, in ``Raisin Bread,'' a pill-popping failed suicide at 22, his ``sole aim to become quite invisible,'' is a 1950s anti-hero who seems very contemporary. A proud youth in ``Fountains in the Rain,'' breaking up with his girlfriend, becomes captivated by a splashing fountain, which we see as a symbol of his own flamboyant egotism. ``Sword,'' a sweaty plunge into the world of college fencing, pits youth vs. age, animal pleasure vs. mental rigor, muscular prowess vs. meditative rapture.

There are no comments on this title.

to post a comment.