The Louvre / Luca Bachechi : Emanuele Castellani : Francesca Curti

By: Contributor(s): Material type: TextTextPublication details: New York : Barnes & Noble , 2007Description: 316 p. : illus. ; 32 cmISBN:
  • 9788881171071
Uniform titles:
  • Toller Cranston Collection
Subject(s): DDC classification:
  • REF 708.4361 BAC 
Summary: A genuine universal receptacle of artistic knowledge, the Louvre houses an extraordinary cross section of the most important works of art created over a period stretching from antiquity to the early decades of the 19th century. Through analysis of the individual works and their comparison with other masterpieces from the history of art, this book provides stimulating cues of interpretation and reflection that allow the reader to make a true journey of exploration into the history of humanity’s figurative culture. At the same it reflects the didactic intent that is inherent in the arrangement of the collections and the layout of the museum, conceived, in its new organization, as an immense manual of the styles and schools of every age.
List(s) this item appears in: Toller Cranston
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Consulta / Referencia REF 708.4361 BAC (Browse shelf(Opens below)) Available 046248
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Collection: Consulta / Referencia Close shelf browser (Hides shelf browser)
REF 708.2 DAR The Victoria and Albert Museum REF 708.212 CAL British Museum, London REF 708.4361 ARC Louvre : portrait of a museum REF 708.4361 BAC The Louvre REF 708.4361 DOR The Musée d'Orsay REF 708.551 BER The Uffizi REF 708.551 GRE Paintings in the Uffizi & Pitti galleries

A genuine universal receptacle of artistic knowledge, the Louvre houses an extraordinary cross section of the most important works of art created over a period stretching from antiquity to the early decades of the 19th century. Through analysis of the individual works and their comparison with other masterpieces from the history of art, this book provides stimulating cues of interpretation and reflection that allow the reader to make a true journey of exploration into the history of humanity’s figurative culture. At the same it reflects the didactic intent that is inherent in the arrangement of the collections and the layout of the museum, conceived, in its new organization, as an immense manual of the styles and schools of every age.

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