Samaras : the photographs of Lucas Samaras / Essay by Ben Lifson

Material type: TextTextPublication details: New York : An Aperture Book , 1987Description: 183 p. : illus. ; 26 cmISBN:
  • 9780893812416
Subject(s): DDC classification:
  • 770.92 SAM 
Summary: Photographer, painter, sculptor, Lucas Samaras is one of the most influential and provocative artists of our time. Once again available to readers, this long out-of-print volume presents a thorough compilation of Samara's photographic work, beginning with his earliest "Auto-Polaroids" This exhaustive body of work paved the way for a generation of contemporary photo-artists, expanding the expressive possibilities of the medium. Using Polaroid materials, large - sometimes life-sized--formats, manipulated imagery, and composites, Samaras helped forge a vocabulary employed by artists and photographers throughout the eighties. In his most profound achievement, he adopted one of photography's basic genres - portraiture - and used it as a basis for an inquiry into the self, which remains unmatched in its intensity and boundless in its ramifications.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles 770.92 SAM (Browse shelf(Opens below)) Available 052056

Photographer, painter, sculptor, Lucas Samaras is one of the most influential and provocative artists of our time. Once again available to readers, this long out-of-print volume presents a thorough compilation of Samara's photographic work, beginning with his earliest "Auto-Polaroids" This exhaustive body of work paved the way for a generation of contemporary photo-artists, expanding the expressive possibilities of the medium. Using Polaroid materials, large - sometimes life-sized--formats, manipulated imagery, and composites, Samaras helped forge a vocabulary employed by artists and photographers throughout the eighties. In his most profound achievement, he adopted one of photography's basic genres - portraiture - and used it as a basis for an inquiry into the self, which remains unmatched in its intensity and boundless in its ramifications.

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