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Michael Graves, buildings and projects, 1990-1994 / edited by Karen Nichols, Lisa Burke, and Patrick Burke

By:

Graves, Michael, 1934-

Contributor(s):

Material type: Text

TextPublication details: New York : Rizzoli International Publications , 1995.Description: 303 p. : col. ill. ; 29 cmISBN:

9780847819010

Other title:

Buildings and projects, 1990-1994

Subject(s):

DDC classification:

720.973 GRA

LOC classification:

NA737.G72 A4 1995

Summary: Over the past three decades, Michael Graves's career has been one of the most remarkably creative and successful of any American architect practicing today. When introduced in the late 1970's Graves's figurative architectural landguage marked a radical departure from the abstract modernist forms that had dominated postwar architecture. Today his signature aesthetic-elemental shapes, references to historical forms, and warm colors that often reflect Italian and classical influences-is recognized worldwide.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C.	720.973 GRA (Browse shelf(Opens below))	Available		052186

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Previous	720.972149062 ORE Teatro Isauro Martínez: Patrimonio de los mexicanos	720.97252 PIN Nuevos mecenazgos en la producción del arte, diseño y arquitectura popular	720.972532 FER Ciudad rota : La ciudad de México después del sismo	720.973 GRA Michael Graves, buildings and projects, 1990-1994	720.973 GRA Michael Graves : buildings and projects 1966-1981	720.973 HUX On architecture : collected reflections on a century of change	720.973 STE Robert A. M. Stern : 1965-1980 toward a modern architecture after modernism	Next

Includes bibliographical references (p. 301-303).

Over the past three decades, Michael Graves's career has been one of the most remarkably creative and successful of any American architect practicing today. When introduced in the late 1970's Graves's figurative architectural landguage marked a radical departure from the abstract modernist forms that had dominated postwar architecture. Today his signature aesthetic-elemental shapes, references to historical forms, and warm colors that often reflect Italian and classical influences-is recognized worldwide.

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