John Sloan's New York / Heather Campbell Coyle, Joyce K. Schiller ; with essays by Molly S. Hutton ... [et al.]
Material type: TextPublication details: Wilmington, DE : Delaware Art Museum ; New Haven : In association with Yale University Press , c2007Description: 208 p. : illus. ; 29 cmISBN:- 9780300126198
- 758.7747 SLO
Item type | Current library | Call number | Status | Date due | Barcode |
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Libro - Monografía | Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles | 758.7747 SLO (Browse shelf(Opens below)) | Available | 052722 |
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758.1794 IMP Impressions of California : early currents in art 1850 - 1930 | 758.4 SCH Still life : still life painting in the early modern period | 758.42 MAC Flowers : Charles Rennie Mackintosh / | 758.7747 SLO John Sloan's New York | 759 DUF Raoul et Jean : complicité et rupture / accord and discord | 759 DUN Painting methods of the Impressionists | 759 FIF 50 artists you should know |
Catalog of an exhibition entitled "Seeing the city, Sloan's New York" at the Delaware Art Museum, Oct. 20, 2007-Jan. 20, 2008 and at three other venues.
Includes bibliographical references and index.
John Sloan (1871-1951) began his career as a commercial newspaper artist in Philadelphia where he studied with Robert Henri. Following Henri to New York, Sloan joined a small circle of eight talented artists whose dissatisfaction with the dominating National Academy led to a protest exhibit in 1908, the emergence of a powerful movement for change in American art, and ultimately to the famous Armory Show of 1913. It was in part Sloan's dark palette and views of city streets and working-class life that gave rise to the epithet now used to describe the works of the "Ashcan School." Sloan's compelling images of New York City are the subject of this generously illustrated book. His paintings, drawings, and prints clearly reflect his own experience of the city as he walked its neighborhoods and observed human dramas played out in streets and apartments. The contributors to the volume investigate a variety of topics, including Sloan's understanding of the urban experience in America, his interest in social reform, his fascination with moving pictures and cinema aesthetics, and his relationship with Henri. The authors also situate Sloan's paintings within the geography and social fabric of New York. John Sloan's New York presents a unique perspective on New York and its people and also on the artist himself, who was captivated by the soul of the city.
English.
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