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Lithography : 200 years of art, history, & technique / Domenico Porzio, general editor, with the collaboration of Rosalba and Marcello Tabanelli ; essays by Jean Adhémar ... [et al.]

Contributor(s):

Material type: Text

TextPublication details: New York : H.N. Abrams, 1983Description: 280 p. : illus. ; 32 cmISBN:

0810912821

Subject(s):

Lithography

DDC classification:

763 LIT

Summary: Once called a "diabolical craft" because of its technical difficulty, lithography has challenged artists every since its invention two centuries ago. Cezanne, Daumier, Delacroix, Gauguin, Giacometti, Goya, Klee, Matisse, Munch, Picasso, Rouault, and Whistler are only a few who were fascinated by the technique. Their lithographs, in black and white and in color, appear among 250 examples illustrated in this volume, the most comprehensive study ever made of the historical and aesthetic development of lithography.

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Holdings
Item type	Current library	Call number	Status	Notes	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles	763 LIT (Browse shelf(Opens below))	Available	non fiction		054016

Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Shelving location: Sala Ingles Close shelf browser (Hides shelf browser)

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Previous	761 FRE Stamp artistry : combining stamps with beadwork, carving, collage, etching, fabric, metalwork, painting, polymer clay, repouss, and more	761 HUT Making woodcuts	761 KAF Linoleum block printing	763 LIT Lithography : 200 years of art, history, & technique /	767 GOY The complete etchings of Francisco Goya	767 HOC David Hockney : etchings and lithographs 1961 - 1986	769 GAR A history of wood engraving	Next

Includes indexes

Bibliography: p. 271

Once called a "diabolical craft" because of its technical difficulty, lithography has challenged artists every since its invention two centuries ago. Cezanne, Daumier, Delacroix, Gauguin, Giacometti, Goya, Klee, Matisse, Munch, Picasso, Rouault, and Whistler are only a few who were fascinated by the technique. Their lithographs, in black and white and in color, appear among 250 examples illustrated in this volume, the most comprehensive study ever made of the historical and aesthetic development of lithography.

Translated from the Italian to English

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