Limbo : a novel / by Dixie Salazar

By: Material type: TextTextPublication details: Fredonia, NY : White Pine Press , c1995.Edition: 1st edDescription: 206 p. ; 22 cmISBN:
  • 9781877727450
Subject(s): Genre/Form: DDC classification:
  • FIC SAL
LOC classification:
  • PS3569.A459187 L56 1995
Summary: Salazar's first novel is about a few months in the life of Cassiopeia Quinlan as she struggles to make a living, support her four-year-old daughter and track down her deadbeat husband so she can get divorced. The story flashes between episodes of Cassie's current life in Fresno, Calif., and scenes from her childhood: a depressing series of false starts with her flaky mother, Eileen. Salazar obviously hopes to show both how Cassiopeia is in danger of repeating her mother's pattern, and her potential to break away from it. The author succeeds in part but relies too heavily on characterization and setting at the expense of a viable plot. Salazar's men are not fully developed, and the women, if colorful, are predictable, too often reminiscent of Ellen Gilchrist or Barbara Kingsolver. Salazar's gift for setting is unmistakable, but insight is lacking in Cassie's final epiphanies, such as: ``How quickly the past becomes the future, she thought, which then becomes the past even as we think it.''
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Fiction / Ficción Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles General FIC SAL (Browse shelf(Opens below)) Available 061819

Salazar's first novel is about a few months in the life of Cassiopeia Quinlan as she struggles to make a living, support her four-year-old daughter and track down her deadbeat husband so she can get divorced. The story flashes between episodes of Cassie's current life in Fresno, Calif., and scenes from her childhood: a depressing series of false starts with her flaky mother, Eileen. Salazar obviously hopes to show both how Cassiopeia is in danger of repeating her mother's pattern, and her potential to break away from it. The author succeeds in part but relies too heavily on characterization and setting at the expense of a viable plot. Salazar's men are not fully developed, and the women, if colorful, are predictable, too often reminiscent of Ellen Gilchrist or Barbara Kingsolver. Salazar's gift for setting is unmistakable, but insight is lacking in Cassie's final epiphanies, such as: ``How quickly the past becomes the future, she thought, which then becomes the past even as we think it.''

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