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The orient in western art / Gérard-Georges Lemaires

By:

Lemaires, Gérard-Georges

Contributor(s):

Blanco, Harriet de

Material type: Text

TextPublication details: Cologne, GER : Konemann , 2000Description: 360 p. : illus. ; 32 cmISBN:

9783895088926

Uniform titles:

Toller Cranston Collection

Subject(s):

DDC classification:

REF 709.5 LEM

Summary: Ever since its discovery by traders and seamen in the Early Modern age, the world of Islam has been an important source of cultural inspiration for Western civilization. Geographically so near, culturally so dif-ferent, the countries of the Arabian Peninsula and North Africa have influenced both the Oriental vogue of the baroque period and also the popular Oriental genre in the fine arts. At the same time, the mysterious aura of the Orient has repeatedly served as a romantically idealized counterpoint and escape route for European fantasies and longings. From the early turquets to the glory of the 19th century to the Tunisian images of August Macke and Paul Klee, this elaborately appointed volume presents the history of Oriental images in painting and follows the traces of a phenomenon that remains fascinating even today.

List(s) this item appears in: Toller Cranston

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C.	Consulta / Referencia	REF 709.5 LEM (Browse shelf(Opens below))	Expurgado/No disponible		062005

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Previous	REF 709.47 NES Reflections of time past	REF 709.49 BRU Bruges and the Renaissance : Memling to Pourbus	REF 709.494 GIA Alberto Giacometti	REF 709.5 LEM The orient in western art	REF 709.5 TIL First under heaven : the art of Asia	REF 709.51 WAT The world of Khubilai Khan : Chinese art in the Yuan Dynasty	REF 709.52 WHI Korean art treasures	Next

Ever since its discovery by traders and seamen in the Early Modern age, the world of Islam has been an important source of cultural inspiration for Western civilization. Geographically so near, culturally so dif-ferent, the countries of the Arabian Peninsula and North Africa have influenced both the Oriental vogue of the baroque period and also the popular Oriental genre in the fine arts. At the same time, the mysterious aura of the Orient has repeatedly served as a romantically idealized counterpoint and escape route for European fantasies and longings. From the early turquets to the glory of the 19th century to the Tunisian images of August Macke and Paul Klee, this elaborately appointed volume presents the history of Oriental images in painting and follows the traces of a phenomenon that remains fascinating even today.

Translated from the French to English

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