Amulet / Roberto Bolano ; translated from the Spanish by Chris Andrews

By: Contributor(s): Material type: TextTextPublication details: New York : New Directions , 2006.Description: 184 p. ; 22 cmISBN:
  • 9780811216647
Uniform titles:
  • Amuleto . English
DDC classification:
  • LAS FIC BOL
LOC classification:
  • PQ8098.12.O38 A6813 2006
Summary: Amulet is a monologue, like Bolaño's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafés and bars of the University. She's tall, thin,and blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolaño's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women: the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara. And in the course of her imaginary visit to the house of Remedios Varo,Auxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book: an army of children is marching toward it, singing as they go. The children are the idealistic youngLatin Americans who came to maturity in the '70s, and the last words of the novel are: "And that song is our amulet."
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Item type Current library Call number Status Date due Barcode
Latin American Studies Biblioteca Pública de San Miguel de Allende, A.C. LAS FIC BOL (Browse shelf(Opens below)) Available 065223

Amulet is a monologue, like Bolaño's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafés and bars of the University. She's tall, thin,and blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolaño's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women: the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara. And in the course of her imaginary visit to the house of Remedios Varo,Auxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book: an army of children is marching toward it, singing as they go. The children are the idealistic youngLatin Americans who came to maturity in the '70s, and the last words of the novel are: "And that song is our amulet."

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