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The hundred secret senses / Amy Tan

By:

Tan, Amy, (, 1952-)

Material type: Text

TextPublication details: New York : G. P. Putnam's Sons , c1995.Description: 358 p. ; 24 cmISBN:

9780399141140

Subject(s):

Genre/Form:

Domestic fiction

DDC classification:

FIC TAN

Summary: The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes." Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Fiction / Ficción	Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles	General	FIC TAN (Browse shelf(Opens below))	Available		066009

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Previous	FIC TAN The valley of amazement	FIC TAN The Joy Luck Club	FIC TAN The kitchen god's wife	FIC TAN The hundred secret senses	FIC TAN Saving fish from drowning	FIC TAR The little friend	FIC TAR The goldfinch	Next

The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes." Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

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