Sky over El Nido : stories / by C.M. Mayo

By: Material type: TextTextPublication details: Athens : University of Georgia Press , c1995.Description: 164 p. : ill. ; 23 cmISBN:
  • 9780820321196
Genre/Form: DDC classification:
  • LAS FIC MAY
LOC classification:
  • PS3563.A96389 S59 1995
Summary: The author sets her stories all over the globe, but she favors Mexico, particularly the wealthier enclaves of Mexico City. Most of the 13 stories here follow the same template-a glimpse of a life thrown out of balance, followed by an ambiguous conclusion-and combine sympathy with critical reserve. A Mexican art student escorts his Japanese girlfriend (swathed in Moschino, daubed with Chanel, held blithely aloft with hallucinogens) through the Yucatan; a poet drunkenly toys with the sinewy, menacing pet jaguarundi of her former mistress. Elsewhere, a matron at a wedding dives after a drowning child in a gesture poised between self-sacrifice and suicidal despair; and, in the companion stories that open and close the book, a businessman-exhausted by the glitzy, hollow lives he and his cold, lovely wife lead, reaches out to a homeless man with AIDS on a Manhattan sidewalk. The stories hold bathos at bay with tautly fashioned prose, alive with myriad turns of phrase as on-target as they are idiosyncratic: a bibulous housewife's face resembles ``a boiled tomato''; to Albert, lovely Eiko's laugh is ``like a piccolo''; a woman's braids ``writhe on her back like snakes.
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Item type Current library Call number Status Date due Barcode
Latin American Studies Biblioteca Pública de San Miguel de Allende, A.C. LAS FIC MAY (Browse shelf(Opens below)) Available 066305

Winner of the Flannery O'Connor Award for Short Fiction 1995.

The author sets her stories all over the globe, but she favors Mexico, particularly the wealthier enclaves of Mexico City. Most of the 13 stories here follow the same template-a glimpse of a life thrown out of balance, followed by an ambiguous conclusion-and combine sympathy with critical reserve. A Mexican art student escorts his Japanese girlfriend (swathed in Moschino, daubed with Chanel, held blithely aloft with hallucinogens) through the Yucatan; a poet drunkenly toys with the sinewy, menacing pet jaguarundi of her former mistress. Elsewhere, a matron at a wedding dives after a drowning child in a gesture poised between self-sacrifice and suicidal despair; and, in the companion stories that open and close the book, a businessman-exhausted by the glitzy, hollow lives he and his cold, lovely wife lead, reaches out to a homeless man with AIDS on a Manhattan sidewalk. The stories hold bathos at bay with tautly fashioned prose, alive with myriad turns of phrase as on-target as they are idiosyncratic: a bibulous housewife's face resembles ``a boiled tomato''; to Albert, lovely Eiko's laugh is ``like a piccolo''; a woman's braids ``writhe on her back like snakes.

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