Murder below Montparnasse / Cara Black.

By: Material type: TextTextSeries: Aimée Leduc investigation ; ; [13]Publication details: New York : Soho Crime , c2013.Description: 319 p. : map ; 24 cmISBN:
  • 9781616952150
Subject(s): Genre/Form: DDC classification:
  • MYS BLA 
LOC classification:
  • PS3552.L297 M785 2013
Summary: It's the 13th title in Black's brisk, engaging "Aimee Leduc Investigation" series, and where is her friend and business partner, Rene Friant? He's gone to Zeelakon Vallaay (that's Silicon Valley, English speakers) for a six-figure job and some troubles of his own. But that doesn't keep Aimee from plunging into another juicy, culturally intriguing case. When she's picked up after an assignment by Leduc's part-time hacker, Saj, he passes along a request from potential client Yuri Volodya, who claims to have known Aimee's mother. That's enough to make her persuade Saj to steer toward Volodya's door, but as they arrive Saj hits and evidently kills a man emerging from between two cars. The man is Serb mafia, bad news for Saj. Meanwhile, Volodya reports that he's been robbed of a precious painting, though he's pretty cat-and-mouse about whether Aimee should hunt it down. Aimee learns something about the painting--a portrait that could change our sense of a key historical figure--and about her mother, a shadowy but significant figure in the series we'll need to rethink.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles MYS BLA (Browse shelf(Opens below)) Expurgado/No disponible 067387

It's the 13th title in Black's brisk, engaging "Aimee Leduc Investigation" series, and where is her friend and business partner, Rene Friant? He's gone to Zeelakon Vallaay (that's Silicon Valley, English speakers) for a six-figure job and some troubles of his own. But that doesn't keep Aimee from plunging into another juicy, culturally intriguing case. When she's picked up after an assignment by Leduc's part-time hacker, Saj, he passes along a request from potential client Yuri Volodya, who claims to have known Aimee's mother. That's enough to make her persuade Saj to steer toward Volodya's door, but as they arrive Saj hits and evidently kills a man emerging from between two cars. The man is Serb mafia, bad news for Saj. Meanwhile, Volodya reports that he's been robbed of a precious painting, though he's pretty cat-and-mouse about whether Aimee should hunt it down. Aimee learns something about the painting--a portrait that could change our sense of a key historical figure--and about her mother, a shadowy but significant figure in the series we'll need to rethink.

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