Poussin and nature : arcadian visions / Edited by Pierre Rosenberg ; Keith Christiansen
Material type: TextPublication details: New York : Yale University Press , 2008Description: 414 p. : illus. ; 29 cmISBN:- 9781588392428
- 759.4 POU
- E757 .G66 2013b
Item type | Current library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|
Libro - Monografía | Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles | 759.4 POU (Browse shelf(Opens below)) | Available | 020305 |
Browsing Biblioteca Pública de San Miguel de Allende, A.C. shelves, Shelving location: Sala Ingles Close shelf browser (Hides shelf browser)
759.4 MON Monet, water lilies : the complete series | 759.4 MON Claude Monet : life at Giverny / | 759.4 MOR Berthe Morisot - Impressionist | 759.4 POU Poussin and nature : arcadian visions | 759.4 RED Odilon Redon, 1840-1916 : the prince of dreams | 759.4 RED Beyond the visible : the art of Odilon Redon | 759.4 ROU Henri Rousseau : Le Douanier |
Catalog of an exhibition at the Metropolitan Museum of Art, NY, Feb. 12-May 11, 2008
The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon
English
There are no comments on this title.