Beyond the visible : the art of Odilon Redon / Jodi Hauptman

By: Material type: TextTextPublication details: New York : Museum of Modern Art , 2005Description: 284 p. : illus. ; 29 cmISBN:
  • 9780870707025
Subject(s): DDC classification:
  • 759.4 RED 
LOC classification:
  • E302.6.F8 W84 2004
Contents:
Summary: Caught between description and dream, the felt and the imagined, French artist Odilon Redon, whose career bridged the 19th and 20th centuries, transformed the natural world into nightmarish visions and bizarre fantasies. Closely allied with the Symbolist movement, Redon offered his own interpretations of literary, biblical, and mythological subjects; created a universe of strange hybrid creatures; and presented landscape in a singular way: we see grinning disembodied teeth, smiling spiders, melancholic floating faces, winged chariots, unfamiliar plant life, and velvety black or colored swirls of atmosphere. With a recent gift from the Ian Woodner family, The Museum of Modern Art is now the site of the most significant body of the artist's work outside France, and this book will showcase the full range of Redon's varied oeuvre - charcoal "noirs," luminous pastels, richly textured canvases, literary collaborations, and experiments in printmaking - and will illuminate the hold his particular kind of modernism has had on both 20th-century and contemporary artists.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles 759.4 RED (Browse shelf(Opens below)) Available 067577

Beyond the visible / Jodi Hauptman -- Redon and the lithographed portfolio / Starr Figura -- Odilon Redon in the collection of the Museum of Modern Art / Tricia YunJoo Paik.

Caught between description and dream, the felt and the imagined, French artist Odilon Redon, whose career bridged the 19th and 20th centuries, transformed the natural world into nightmarish visions and bizarre fantasies. Closely allied with the Symbolist movement, Redon offered his own interpretations of literary, biblical, and mythological subjects; created a universe of strange hybrid creatures; and presented landscape in a singular way: we see grinning disembodied teeth, smiling spiders, melancholic floating faces, winged chariots, unfamiliar plant life, and velvety black or colored swirls of atmosphere. With a recent gift from the Ian Woodner family, The Museum of Modern Art is now the site of the most significant body of the artist's work outside France, and this book will showcase the full range of Redon's varied oeuvre - charcoal "noirs," luminous pastels, richly textured canvases, literary collaborations, and experiments in printmaking - and will illuminate the hold his particular kind of modernism has had on both 20th-century and contemporary artists.

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