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Brassaï Graffiti / Brassaï

By:

Brassai, (, 1899-1984)

Contributor(s):

Radzinowicz, David

Material type: Text

TextPublication details: Paris : Flammarion , 2002Description: 153 pages : illus. ; 31 cmISBN:

9782080107138

Subject(s):

DDC classification:

REF 779.9944 BRA

Summary: Brassai became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with softer shades of grey that meld into one another, smoothing the harsh gouges typical of graffiti. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassai's own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C.	Consulta / Referencia	REF 779.9944 BRA (Browse shelf(Opens below))	Available		036830

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Previous	REF 779.092 DIC Philip-Lorca diCorcia	REF 779.0924 PAZ Instante y revelación	REF 779.36 HAA Through the eyes of the condor : an aerial vision of Latin America	REF 779.9944 BRA Brassaï Graffiti	REF 779.9973 DUN American pictures : a reflection on mid-twentieth century America.	REF 780 SCH Diccionario Oxford de la musica	REF 780 XEL Diccionario Xela de terminos musicales	Next

Brassai became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with softer shades of grey that meld into one another, smoothing the harsh gouges typical of graffiti. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassai's own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form.

Translated from the French to English.

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