Opus posthumous / by Wallace Stevens

By: Contributor(s): Material type: TextTextPublication details: New York : Vintage Books , 1990.Edition: Rev., enl., and corr. ed. / edited by Milton J. Bates, 1st Vintage Books edDescription: xv, 334 p. ; 21 cmISBN:
  • 0679725342
Uniform titles:
  • Selections . 1990
Subject(s): DDC classification:
  • 811 STE
LOC classification:
  • PS3537.T4753 A6 1990b
Summary: Originally published in 1957, under the editorship of Samuel French Morse, Opus Posthumous was designed as a companion to Stevens's Collected Poems (1954), offering the reader various fugitive pieces not appearing in book form. This new edition by Stevens scholar Bates contains 48 items that have never been previously published--or that appear here in a radically new form. These new items include poetry, drama, aphorisms, essays, and even responses to questionnaires. Thus, Bates's edition of Opus Posthumous represents a significant addition to the Stevens canon, one that restores the unofficial poet ``who engages today's biographers and historians.'' To read the beautiful pages of this book is to understand why ``poetry is a means of redemption.''
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. 811 STE (Browse shelf(Opens below)) Available 001744

Originally published in 1957, under the editorship of Samuel French Morse, Opus Posthumous was designed as a companion to Stevens's Collected Poems (1954), offering the reader various fugitive pieces not appearing in book form. This new edition by Stevens scholar Bates contains 48 items that have never been previously published--or that appear here in a radically new form. These new items include poetry, drama, aphorisms, essays, and even responses to questionnaires. Thus, Bates's edition of Opus Posthumous represents a significant addition to the Stevens canon, one that restores the unofficial poet ``who engages today's biographers and historians.'' To read the beautiful pages of this book is to understand why ``poetry is a means of redemption.''

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