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V.S. Naipaul / Fawzia Mustafa

By:

Mustafa, Fawzia, , 1952-

Material type: Text

TextSeries: Cambridge studies in African and Caribbean literaturePublication details: Cambridge ; New York : Cambridge University Press , 1995.Description: xii, 255 p. ; 23 cmISBN:

9780521483599

Subject(s):

DDC classification:

823 NAI

LOC classification:

PR9272.9.N32 Z78 1995

Summary: This introductory study offers a critical overview of the major works of V. S. Naipaul from 1950 to the present day. Professor Mustafa's main concern is with literary issues, but historical, political and cultural questions are also addressed, with comparative references to other postcolonial works. Paradoxically, a major segment of Naipaul's non-western, pro-decolonisation readership seized on negative elements in his thinking, while Western reaction to his ideas and themes led to set notions about Third-World society. Thus, his work has always been the object of radically divergent views, dependent on the perspective of the reader. In examining this issue, Mustafa introduces general debates about postcolonial literary production and its contemporary interrogation of narrative techniques, language, gender, race, and canon formulation.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Libro - Monografía	Biblioteca Pública de San Miguel de Allende, A.C.	823 NAI (Browse shelf(Opens below))	Available		052421

Includes bibliographical references (p. 243-250) and index.

This introductory study offers a critical overview of the major works of V. S. Naipaul from 1950 to the present day. Professor Mustafa's main concern is with literary issues, but historical, political and cultural questions are also addressed, with comparative references to other postcolonial works. Paradoxically, a major segment of Naipaul's non-western, pro-decolonisation readership seized on negative elements in his thinking, while Western reaction to his ideas and themes led to set notions about Third-World society. Thus, his work has always been the object of radically divergent views, dependent on the perspective of the reader. In examining this issue, Mustafa introduces general debates about postcolonial literary production and its contemporary interrogation of narrative techniques, language, gender, race, and canon formulation.

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