Francisco Goya y Lucientes : 1746-1828 / Janis Tomlinson

By: Material type: TextTextPublication details: New York : Phaidon , 2001, c1994Description: 320 p. : illus. ; 29 cmISBN:
  • 0714838446
Uniform titles:
  • Toller Cranston Collection
Subject(s): DDC classification:
  • REF 759.6 GOY 
LOC classification:
  • PR6073.E374 C45 2009
Summary: Francisco Goya y Lucientes (1746-1828) was in his lifetime the foremost painter in Spain, and his reputation has remained undimmed ever since. For most of his career he painted for the Spanish Court, providing glittering portraits and tapestry designs for the royal palaces. Yet he also painted and etched some of the most compelling images of social unrest and personal alienation ever created, leaving a lasting impression on avant-garde artists from Manet to Picasso as well as capturing the popular imagination. In this beautifully illustrated survey of Goya's career, Janis Tomlinson explores the dichotomy that has led the artist to be called the last of the Old Masters and the first of the Moderns. She looks at the complete range of his output of oil paintings, frescoes, drawings and prints, placing Goya's life and work in the social and political context of the turbulent times through which he lived. In doing so she has written a book that does justice to the achievement of one of Europe's greatest artists.
List(s) this item appears in: Toller Cranston
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Item type Current library Collection Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Consulta / Referencia REF 759.6 GOY (Browse shelf(Opens below)) Available 049519

Francisco Goya y Lucientes (1746-1828) was in his lifetime the foremost painter in Spain, and his reputation has remained undimmed ever since. For most of his career he painted for the Spanish Court, providing glittering portraits and tapestry designs for the royal palaces. Yet he also painted and etched some of the most compelling images of social unrest and personal alienation ever created, leaving a lasting impression on avant-garde artists from Manet to Picasso as well as capturing the popular imagination. In this beautifully illustrated survey of Goya's career, Janis Tomlinson explores the dichotomy that has led the artist to be called the last of the Old Masters and the first of the Moderns. She looks at the complete range of his output of oil paintings, frescoes, drawings and prints, placing Goya's life and work in the social and political context of the turbulent times through which he lived. In doing so she has written a book that does justice to the achievement of one of Europe's greatest artists.

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