Chicano drama : performance, society, and myth / Jorge Huerta

By: Material type: TextTextSeries: Cambridge studies in American theatre and drama ; ; 12Publication details: Cambridge [England] ; New York : Cambridge University Press , 2000.Description: xi, 209 p. : ill. ; 24 cmISBN:
  • 0521771196
Subject(s): DDC classification:
  • 812 HUE
LOC classification:
  • PS153.M4 H84 2000
Summary: This book, first published in 2000, was the first since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.
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Item type Current library Call number Status Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles 812 HUE (Browse shelf(Opens below)) Available 031558

Includes bibliographical references (p. 193-202) and index.

This book, first published in 2000, was the first since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.

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