Available light : exile in Mexico / John Howard Griffin ; edited and with an introduction by Robert Bonazzi ; foreword by Kathy Vargas

By: Contributor(s): Material type: TextTextPublication details: San Antonio, TX : Wings Press, 2008Edition: 1st edDescription: 117 p. : illus. ; 22 cmISBN:
  • 9780916727468
Subject(s): DDC classification:
  • LAS 770 GRI 22
Summary: Culled from previously unpublished material, this collection of writing and photography by John Howard Griffin was taken from the period during which he was writing and revising what would be his most famous book, the bestselling Black Like Me . Living in exile in Mexico at the time, along with his young family and aging parents, Griffin had been forced from his home town of Mansfield, Texas, by death threats from local white racists. Knowing that he would become a controversial public figure once he returned to the states, he kept an intimate journal of his ethical queries on racism and injustice—and to escape from his worries he also immersed himself in the culture of the Tarascan Indians of Michoacan. Accordingly, Robert Bonazzi's introduction contains substantial unpublished portions of the journals, and the main body of the book is made up of three essays by Griffin—one on photography and two about trips he made to photograph rural Mexico.
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Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles LAS 770 GRI (Browse shelf(Opens below)) Available non fiction 028467

Culled from previously unpublished material, this collection of writing and photography by John Howard Griffin was taken from the period during which he was writing and revising what would be his most famous book, the bestselling Black Like Me . Living in exile in Mexico at the time, along with his young family and aging parents, Griffin had been forced from his home town of Mansfield, Texas, by death threats from local white racists. Knowing that he would become a controversial public figure once he returned to the states, he kept an intimate journal of his ethical queries on racism and injustice—and to escape from his worries he also immersed himself in the culture of the Tarascan Indians of Michoacan. Accordingly, Robert Bonazzi's introduction contains substantial unpublished portions of the journals, and the main body of the book is made up of three essays by Griffin—one on photography and two about trips he made to photograph rural Mexico.

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