A devil and a good woman, too : the lives of Julia Peterkin / Susan Millar Williams

By: Material type: TextTextPublication details: Athens : University of Georgia Press , c1997.Description: xx, 343 p. : ill. ; 25 cmISBN:
  • 9780820319124
Subject(s): DDC classification:
  • 92 PET
LOC classification:
  • PS3531.E77 Z97 1997
Summary: Julia Peterkin revoluntionized American literature by writing seriously about the lives of plain black farming people. In five bold, lyrical books she pushed the bounds of realism to earn the startled praise of such intellectuals and literary artists a W.E.B. Du Bois and Langston Hughes. A plantation mistress who vowed to "write what is, even if it is unpleasant," she took up writing at age forty, produced two best-selling novels, and won a Pulitzer Prize before mysteriously abandoning writing twelve years later. Peterkin's fiction chronicles the collapse of plantation agriculture on the Gullah coast of South Carolina. At the same time her writings are a thinly veiled autobiography of a southern white womabn struggling to create something new out of the beauty and sorrow around her. Writing to her mentor H.L. Mencken in 1922, Peterkin declared, "These black friends of mine live more in one Saturday ngiht than I do in five years. I envy them, and I guess as I cannot be them, I seek satisfaction in trying to record them."
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Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. 92 PET (Browse shelf(Opens below)) Available 054259

Includes bibliographical references (p. [307]-327) and index.

Julia Peterkin revoluntionized American literature by writing seriously about the lives of plain black farming people. In five bold, lyrical books she pushed the bounds of realism to earn the startled praise of such intellectuals and literary artists a W.E.B. Du Bois and Langston Hughes. A plantation mistress who vowed to "write what is, even if it is unpleasant," she took up writing at age forty, produced two best-selling novels, and won a Pulitzer Prize before mysteriously abandoning writing twelve years later. Peterkin's fiction chronicles the collapse of plantation agriculture on the Gullah coast of South Carolina. At the same time her writings are a thinly veiled autobiography of a southern white womabn struggling to create something new out of the beauty and sorrow around her. Writing to her mentor H.L. Mencken in 1922, Peterkin declared, "These black friends of mine live more in one Saturday ngiht than I do in five years. I envy them, and I guess as I cannot be them, I seek satisfaction in trying to record them."

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