Uncommon measure : a journey through music, performance, and the science of time / Natalie Hodges

By: Material type: TextTextPublisher: New York : Bellevue Literary Press, 2022Edition: First editionDescription: 220 p. ; 21 cmISBN:
  • 9781942658979
Subject(s): DDC classification:
  • 781.63 HOD
Contents:
Prelude -- Untrainment -- A Sixth Sense : Notes on Improvisation -- Symmetry Breaking -- Chaconne -- The Still Point of the Turning World -- Coda. Memory is a Hologram.
Summary: How does time shape consciousness, and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time? Uncommon Measure: Reflections on Music, Performance, and the Science of Time explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until, crippled by performance anxiety, she was forced to give up her dreams of becoming a career solo violinist. Anchoring her narrative in illuminating research in neuroscience and theories of quantum physics, Hodges traces her own passage through model-minority expectations and examines her immigrant mother's encounters with racism to come to terms with the meaning of a life in music. The lessons she learns enable her to move from anxiety toward acceptance, from rote re-creation toward the freedom of improvisation.
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Holdings
Item type Current library Call number Status Notes Date due Barcode
Libro - Monografía Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles 781.63 HOD (Browse shelf(Opens below)) Available non-fiction 010599

Includes bibliographical references.

Prelude -- Untrainment -- A Sixth Sense : Notes on Improvisation -- Symmetry Breaking -- Chaconne -- The Still Point of the Turning World -- Coda. Memory is a Hologram.

How does time shape consciousness, and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time? Uncommon Measure: Reflections on Music, Performance, and the Science of Time explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until, crippled by performance anxiety, she was forced to give up her dreams of becoming a career solo violinist. Anchoring her narrative in illuminating research in neuroscience and theories of quantum physics, Hodges traces her own passage through model-minority expectations and examines her immigrant mother's encounters with racism to come to terms with the meaning of a life in music. The lessons she learns enable her to move from anxiety toward acceptance, from rote re-creation toward the freedom of improvisation.

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