000 | 02864nam a2200325 a 4500 | ||
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001 | 001597 | ||
005 | 20231009192004.0 | ||
008 | 151001t20152014nyua b 001 0deng d | ||
020 | _a9781594204951 | ||
082 | 1 |
_a709.04 ROE _2 |
|
100 | 1 | _aRoe, Sue | |
245 | 1 | 0 |
_aIn Montmartre : _bPicasso, Matisse and Modernism in Paris, 1900-1910 _c/ Sue Roe. |
260 |
_aNew York _b: Penguin Press _c, 2015, C2014 |
||
300 |
_a365 p. _b: illus. _c; 24 cm |
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504 | _aIncludes bibliographical references (pages 315-347) and index. | ||
505 | 0 | _aThe World Fair and arrivals. The arrival of Picasso ; In Montmartre ; Models and motifs ; The picture sellers ; Blue notes ; The impact of van Gogh ; Poiret : art and design ; Reconstructions ... and ruin ; At the Académie Humbert ; The first Salon d'Automne -- The Rose Period. The Bateau-Lavoir ; Anarchy and the joy of life ; Fernande, and the Lapin Agile ; New searches for Arcadia : enter the Steins ; In Collioure ; At the circus ; Wild beasts ; New tensions, new opportunities ; Picasso and Gertrude Stein ; Immaculate Modigliani ; The north and south poles of modern art : Picasso and Matisse ; Sculptures, carvings, icons ; New expectations -- Carvings, private lives, "wives". Picasso and Matisse : the two-man race ; Raymonde ; Motion pictures ; Alice B. Toklas ; The French lessons ; The Demoiselles unveiled ; New liaisons ; The whole story ; Festivities, prospects, tragedy ; Rousseau's party -- Street life. Modern dance ; Summertime ; New directions ; Flight ; Exoticism ; The interior life ; "Art" ; Endings. | |
520 | 8 | _aWhen young Pablo Picasso arrived in Paris in October 1900 he made his way up the hillside of Montmartre ... The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps but more quietly and intimately, in the shadow of the windmills - artificial and real - and in the cafes and cabarets of Montmartre during the first decade of the century. The cross-fertilization of painting, writing, music and dance produced a panorama of activity characterized by the early works of Picasso, Braque, Matisse, Derain, Vlaminck and Modigliani, the appearance of the Ballets Russes and the salons of Gertrude Stein. In In Montmartre, Sue Roe vividly brings to life the bohemian world of art in Paris between 1900-1910. | |
546 | _aEnglish. | ||
600 | 1 | 4 |
_aPicasso, Pablo _d(, 1881-1973) |
600 | 1 | 4 |
_aMatisse, Henri _d(, 1869-1954) |
650 | 4 |
_aArt, European _y-20th century |
|
650 | 4 | _aModernism (Art) | |
650 | 4 | _aFriends and associates | |
650 | 4 | _aHome and haunts | |
651 | 4 |
_aParis (France) _x-History _y-20th century |
|
651 | 4 |
_aMontmartre (Paris, France) _x-Intellectual life |
|
651 | 4 |
_aMontmartre (Paris, France) _v--Biography |
|
942 | _cMO | ||
999 |
_c222837 _d222837 |