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001 004256
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008 110617s2010 ilua b s001 0aeng
010 _a2009039067
020 _a9780252077357
042 _apcc
050 0 0 _aN6537.G626
_bA2 2010
082 0 _a709.2 GON
100 1 _aGonzalez, Jose Gamaliel
_d, 1933-
245 1 0 _aBringing Aztlán to Mexican Chicago
_b: my life, my work, my art
_c/ José Gamaliel González ; edited and with an introduction by Marc Zimmerman
260 _aUrbana
_b: University of Illinois Press
_c, c2010.
300 _axxvii, 166 p.
_b: ill.
_c; 29 cm.
490 1 _aLatinos in Chicago and the Midwest
504 _aIncludes bibliographical references (p. [153]-154) and index.
505 0 _aThe early years (1933-55) -- From high school to Notre Dame (1955-71) -- The MARCH years (1971-79) -- Raíces, MIRA, and the MFAC (1979-92) -- Art, work, and health (1990-2007).
520 _aThis is the autobiography of Jose Gamaliel Gonzalez, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, Gonzalez looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, Gonzalez studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artistico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays Gonzalez's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
600 1 0 _aGonzalez, Jose Gamaliel
_d, 1933-
650 _aMexican American artists
700 1 _aZimmerman, Marc
_d, 1939-
942 _cMO
999 _c224974
_d224974