| 000 | 01442nam a2200253 a 4500 | ||
|---|---|---|---|
| 001 | 010322 | ||
| 005 | 20231009192134.0 | ||
| 008 | 210831s19821982usaa 000 u eng d | ||
| 020 | _a0856671622 | ||
| 082 | 1 |
_aREF 759.531 RAB _2 |
|
| 100 | 1 | _aRaby, Julian | |
| 240 | 1 | 0 | _aToller Cranston Collection |
| 245 | 1 | 0 |
_aVenice, Dürer, and the oriental mode _c/ Julian Raby |
| 260 |
_aLondon _b: Islamic Art Publications _c, 1982 |
||
| 300 |
_a100 p. _b: illus. _c; 30 cm |
||
| 490 | 1 | _aHans Huth memorial studies, 1 | |
| 520 | _aThis study aims to clarify Venetian Quattrocento Orientalism, which affected Durer and thus Northern Europe, and to define the sources and practitioners of its Oriental motifs. At the end of the fifteenth century a large number of paintings were produced in Venice that depict exotic animals and figures set against the backdrop of Oriental architecture. It was Europe's earliest attempt to portray Muslims in a Muslim habitat, but it was more than a vague and ill-informed evocation of the East. Realistic in many of their details, these Orientalist pictures reflect the Serenissima's political and mercantile links with the fifteenth century Islamic Empires of the Eastern Mediterranean. | ||
| 546 | _aEnglish | ||
| 600 | 1 | 4 |
_aDürer, Albrecht _d(1471-1528) |
| 650 | 4 |
_aPainting, Italian _z-Italy _z-Venice _x-Themes, motives |
|
| 650 | 4 |
_aPainting, Renaissance _z-Italy |
|
| 942 | _cMO | ||
| 999 |
_c229596 _d229596 |
||