000 | 01620nam a2200241 a 4500 | ||
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001 | 011872 | ||
005 | 20231009192151.0 | ||
008 | 230622s20122012nyc 000 1 eng d | ||
020 | _a9781594203978 | ||
082 | 1 |
_aFIC SMI _2 |
|
100 | 1 | _aSmith, Zadie | |
245 | 1 | 0 |
_aNW _c/ Zadie Smith |
260 |
_aNew York _b: Penguin Press _c, 2012 |
||
300 |
_a401 p. _c; 24 cm |
||
520 | _aPartway through this charged onslaught of a novel, Smith's first in the seven years since On Beauty, a young tough refusing to put out a cigarette on a children's playground says, "You can't really chat to me. I'm Hackney, so," referring to the London borough. Although it gets a rise from his challenger, the comment clarifies Smith's story. Geography is destiny, and NW (North West London), with its housing projects and increasingly marginalized community, is the force shaping the narrative. Natalie Blake (nee Keisha) grew up there but has worked hard, tugged at her Afro-Caribbean roots, and become a lawyer; friend Leah, who also got a degree (as a state-school wild card) and is now "the only white girl on [Council's] Fund Distribution Team," doesn't want to move on. They circle warily, and Natalie eventually circles back, even as other characters-ambitious Felix and heartthrob Nathan, now in the gutter-wash through the you-are-there writing. | ||
546 | _aEnglish | ||
586 | _aA 2012 National Book Critics Circle Award Finalist | ||
650 | 1 | 4 |
_aPlanned communities _z-England _z-London _v--Fiction |
650 | 4 |
_aSocial isolation _v--Fiction |
|
651 | 4 |
_aLondon (England) _v--Fiction |
|
942 | _cMO | ||
999 |
_c230822 _d230822 |